Spending two weeks foreign tongueless and voluntarily cut off from phones, internet and news media (which include, barely, television), invites new ways of listening, seeing and experiencing.
[In any year, what returning Minnesotan could not predict the fall headlines: "Vikings need fixing" and "Gophers have second-half meltdown"?]
I expected to return from our trip to Portugal with new images and fresh thoughts about cycling, politics, culture, public investment, cities, demographics, transportation, wealth and poverty, religion, hotels, food and drink, books, communication, relationships, misunderstandings and serendipitous connections. In other words, the stuff that normally fuels this blog and will, with an Iberian flavor, in the coming weeks.
But we have to start with movies.
The question, suggested by a cafe discussion with my domestic partner, concerned how we mentally edit our daily experience. Not in reflection or in preparation for public display, but in real time. Where do we point the camera? How often does it move? Who is included in the foreground or allowed to comment on the action?
Are we inevitably in a star-driven vehicle, featuring Jennifer Anniston in a stretch limo or Jack Nicholson still pretending he's just one of the Easy Rider gang? Or are we hitting the road in an Eric Bogosian-style one-man show or swimming alone to Cambodia and points beyond? Or are we more the auteur and, if so, are we Leni Riefenstahl, John Huston, Robert Altman, Woody Allen, Kevin Costner or Orson Welles?
On another day, I might have a different answer, but this morning, the only proper response would be: I am Mr. Bean.
Over the two weeks, we negotiated every form of non-driving transportation available, save animal-drawn, leaping from bicycle to bus to trekking and train to metro to cab to airplane, all the while keeping track of our baggage. We almost made it home.
This morning, however, at 5:30 a.m., I awoke in my own bed to the dreaded post-vacation question: "Where's my black bag?"
As in, the black bag containing all my DP's cycling clothes and her bicycle seat. As in, the black bag I had already once retrieved from a departing train after we'd momentarily misplaced it in a distant compartment while finding our proper seats on the way to Aveiro. As in, the black bag I'd assumed responsibility for as our impedimentia increased during the trip.
As in, the black bag I'd no doubt been referring to when I said, as we left the light rail station at First Avenue, "I feel one bag lighter"
In a perfect world — maybe even in a normal one — we'd have realized that was because I was one bag lighter, and I would have turned around and retrieved the missing bag. In a Mr. Bean movie, I would have continued another block, before racing madly after a departing train, leaving a food-poisoned Susan with all the baggage, no money and surrounded by a band of gypsies.
In fact, the only difference between reality and the Mr. Bean movie — which we watched together on the return flight, and which touched on all the aforementioned themes, including alternative movie edits — was the lack of gypsies and our jet-lagged capacity for mutual self-delusion.
Now we must wait until Monday to discover what happened to all those loose plot ends involving bicycles, self-involved movie directors, lost articles, trains, food revulsion and the rest. Unlike a Mr. Bean movie, my subsequent posts will deliver just the best bits.
Recent Comments