Orchestra Hall is coming in for a makeover.
Architecture critic Linda Mack, who served on an advisory committee for this project, once described Orchestra Hall as an example of "1970s let-it-all-hang-out brutalism." New York architect Hugh Hardy's design "was a product of its era," she said Friday. "It was avant-garde in its time and meant to be more accessible, but I don't think people embraced it. It's hard to find someone who says, 'I adore that lobby.'"
Sounds familiar. I myself am a product of my era, and my lobby has fallen into disrepair.
As Tom Waits once wrote, "I'm big in Japan." But stuff changes, and at a certain point, you don't get to change with it.
When the ceiling sound cubes of Orchestra Hall were still being plastered, I was putting the finishing touches on a special section I wrote for the Minneapolis Star that was to accompany the opening of the new building. In those days, I wrote as Charles R. Quimby, because it seemed like newspaper readers might take my criticism a little more seriously than from a guy called Charlie. Charles R. had tickets on the aisle whenever he asked.
As another Tom wrote, "The sky was the limit."
The supplement contained a general orchestra history, plus profiles of all the past conductors and an interview with a violinist who'd served under all of them. I also covered how the construction company was both intrigued and a little disturbed that all the building's mechanical systems were exposed.
As one of the Star's arts writers, I got passes to the opening concert. We were standing around in our dress-up clothes drinking champagne, which made the let-it-all-hang-out lobby look pretty decent.
But my prevailing memory is of the music critic, who shall remain nameless, who showed up in a powder blue outfit the likes of which we had never seen. In fact, the style was so brand new and avant-garde, he could wear it without irony to this major cultural event and no one would even know until he told them that this groovy new ensemble was called a leisure suit.
If they have an opening ceremony for the updated hall, I would hope there's a curatorial display case for that baby.
Looking at the building today, it may not be obvious how much time has passed since it was new and adventurous. But my face over that special-section byline and the powder blue leisure suit make it clear that something was due for a change.
